It’s an odd balance these days, trying to live life and be happy, all the while people are dying, and the world is falling apart around you. Remember to take time to step away from the madness and focus on what brings you joy, whatever that may be.
I sometimes wonder why this thing (blog) still exists, as it has pretty much been stagnant for the past year or so. I cannot say that I have much explanation for the lack of written content outside of life. I have also been pretty focused on touring, so that’s where 100% of time and attention is placed these days. That said, I’m still always self-loathing about my lack of consistency with this whole writing thing, but hey, here we are. Christmas is creeping, and as usual, I am ready for this shit to be over. I’ve never been a holiday season type of gal, so my focus right now is to make it to 2022. Happy holidaze, nonetheless.
2021 was a stellar year for me; there is no denying it. What I’m most proud of is not only my career surviving the pandemic but also thriving through it. Many people struggled, some even forgotten about, yet here I am. The blessings never go unacknowledged. From playing Panorama Bar twice in the same day to releasing my debut solo EP to curating a stage at Boiler Room Festival New York, it is safe to say that I killed it. I say that humbly, of course. The success hasn’t gone to my head or whatever, but best believe I always take time to reflect upon my accomplishments and how far I’ve come since this journey’s inception. Just five years ago, I was playing my first gig and still deejaying in my living room dreaming of rocking dance floors across the globe- I’m doing it now. The first mix I ever posted on Soundcloud was titled Getting There, and I think I have finally arrived.
Photo by Alex Hodor- Lee
As with every new year, some people get left in the previous one. This year I made it a point to weed out any negative or fake people in my space. I’ve mentioned this before, but as you become successful or “booked and busy” as they call it, there will be people who will try you, people who will talk about you, and some who will even lie on you. And while I’ve had to learn to not let it get to me so much, there is no room for forgiveness from me for some of y’all. As I like to say, “see you at the top!” I will also add that it is downright hurtful for people to come at you sideways publicly on some bullshit after claiming to be your friend. Enough of that though, we move forward with love and positivity. I suggest some of you try it- that is one of the components that has gotten me to where I am today.
I was lucky enough to make it to Europe in late November for one tour by the skin of my teeth, so the vast majority of my touring this year was in North America. El Paso, Seattle, Miami, Chicago, New York, you name it- I went. As fucked up as America is, it is also a beautiful and captivating place. I enjoyed visiting some cities I honestly never really thought about going to prior. Let us not forget that this is the country where house and techno music started; it’s cool to see it thriving in unassuming cities like El Paso. And while we are on the topic of American cities, Seattle blew my mind. I’m not sure what I was expecting, but they BROUGHT IT! The sheer energy and participation from the crowd got me into a groove instantly. I could also tell that they were genuinely excited to see me play and knew just who I was- it was a special feeling. They also won the award for the most masked indoor event I played all year. Go on with yo bad self, Seattle!
In other news, I know this isn’t anything new, but more and more, I’m starting to notice a lack of standards when it comes to music and track selection from DJs these days. It’s as if everyone is slipping into this wormhole of commercial, white-washed ass tech-house and EDM. Even some of the OG’s are doing it now, and the shit breaks my heart for real. One thing about me, is yeah, I may have done a collab with Boiler Room or did some interviews for RA, but when it comes down to this music, I never sold out, and I never will. Honestly, I feel like I’m carrying the torch for real music amongst my generation. I, of course, am not the only one, but I do recognize the importance of the role I play and what I represent as a black woman from Detroit out here doing my thang. That said, I will continue to do my thing while also advocating for what is real and for what is black.
As we proceed in this seemingly neverending pandemic, I hope our clubs can survive because as much as the festival circuit has taken a liking to me, nothing compares to a dark room. A space equipped with proper sound where I can DJ ground level. And preferably a dance floor with no cameras. Gigs these days are starting to look and feel like nothing but lights, camera, action, and although I am adjusting, unbeknownst to some, that’s not why I got into this business. And I know there’s a lot of hype around clubs like Berghain/Panorama Bar, but I must admit, that was indeed my favorite gig of the year. Everyone’s ego is checked at the door, and there is an almost instant sense of freedom hovering in the air that’s kind of hard to describe unless you have experienced it first hand. It’s also the perfect environment for an extended set- something that I love to do. Ninety minutes is cute, I guess, but give me 4 hours, no gimmicks, and we can really get down. I’m grateful for every gig and opportunity to do what I do, but our clubs are vital; they are the foundation, and we must patronize and preserve the ones that are still standing.
Panorama Bar Berlin: Misson Accomplished
Now that the end of the year is here, it’s that time of year again when music publications start to drop their Best of 2021 lists. Accolades and recognition from magazines and websites are nice, yes, but also, let us not use those accolades to define if we did a good job or not. Now that I consider myself an artist, more than ever before, I realize that no twenty-something (usually white) writer has the authority to dictate if my music was “the best” of the year or not. As I said, accolades are great, and I embrace them, but that said, even if I don’t receive any, I am content. For example, the numbers my EP “Truth” has done thus far tell me everything I need to know. To add, the sheer amount of feedback received from my heroes and contemporaries alike affirms that I did a good job. My point is, fuck a list, you know if you did a good job or not this year, and for those that did, I SEE YOU!
Truth EP is out now on FWM Entertainment via Bandcamp! Vinyl coming soon. ✨
While 2021 was a good year for me, I do realize that on a global scale, things were pretty shitty, just like the year before. We are also continuously losing way too many good people far too soon. It’s an odd balance these days, trying to live life and be happy, all the while people are dying, and the world is falling apart around you. Remember to take time to step away from the madness and focus on what brings you joy, whatever that may be. Lately, music truly feels like the only thing that keeps me sane. It keeps me smiling, it keeps me dancing, it keeps me inspired, and it keeps me connected to something real.
Well, I think that’s it for me for now, but as always, I’d like to send out an incredibly huge thank you to all of my supporters, listeners, and readers! Your support means everything, and I’m grateful for it all.
Below you can find links to some of my fav projects from 2021…
As the year comes a close there’s no denying that there was a lot of great music that came out these past 12 months. The state of dance music is often questionable in this day, but coming across quality music that captures the true essence of the sound and culture we come from is always refreshing. The music featured in this piece is music that I held close throughout the year, and will continue to hold close moving into 2019. Black music is still as relevant as it ever was, and I feel so honored to be able to express myself through this music. As the “end of year list” antics commence, I just want to say that I’m grateful to have a platform that I can use to shine some more light on these amazing artists with. Much love and respect to those who continue to innovate and inspire!
-Ash
#fortheculture #undergroundandblack
1. Patrice Scott- Moments and Concepts (Sistrum Recordings)
As many of you already know, Patrice is by far my favorite producer, and 2018 saw him turn in some show stopping work. Starting out the year with a coveted release on Sounds Of The City, followed by his epic remix of Alton Miller’s “All the little things”, Moments and Concepts (below) on his Sistrum imprint, and most recently, the “Powder Fresh” EP on NYC’s Second Hand Records. This my friends, is true soulful, deep house, and I’m saying this now, “Be Free”, is the deep house track of the year- straight church vibes! Patrice has been humbly and steadily on the incline for many years now, and its time to show this man some respect! True Detroit royalty that deserves just as much shine as the rest of em. #realright
2. Stefan Ringer- FWM 001 (FWM)
Stefan is no stranger to the scene, and has been doing his thing in Atlanta and throughout North America for a minute now. After releasing some prized EP’s on labels like NDATL, CGI, and Argot, he decided to step up to the plate and start a label of his own. “FWM” dropped its first release by Ringer in August 2018, and features summer favorites like “Wanna Be Bad”, and “Southside”. All five tracks go hard, and you can’t lose with this one in your record bag or playlist. Keep an eye out for what’s next from this Atlanta staple who has proved consistent over time. #iwannabebad
3. Alton Miller- All Things Good EP (Waella’s Choice)
I was lucky enough to build a relationship with some of the folks behind Dimensions Festival this past year, which included Andy Lemay, who runs a called label Waella’s Choice. This is the label behind my next pick, Alton Miller’s “All Things Good EP”, which features what I like to call “grown and sexy” house. These are definitely not your peak time rave tracks, yet more so, your feet in sand, hair in the wind type of tracks. In terms of the dance floor; tracks you can two step with your lover to. “In The D” is by far my favorite, and feels like a little taste of South Africa and Detroit mixed into one. #grownfolksmusic
4. Waajeed- From The Dirt (Dirt Tech Reck)
Waajeed is another artist who I’ve mentioned quite frequently in the past, and rightfully so. After the success of last years “Shango EP”, he stayed busy in 2018 DJing throughout Europe, Asia, the US, and beyond. He also premiered his first live show at Good Room in Brooklyn back in May. On November 9th, Waajeed dropped his first solo, full length LP “From The Dirt” on his label Dirt Tech Reck, that includes 10 perfectly hand crafted tracks with each a style their own. According to Waajeed, Dilla’s basement in his childhood home was the birthplace for their discovery of un-quantized beats, and that its reflected in “My Fathers Rhythm”-my favorite track on the album. #strength
5. Steven Julien- Bloodline (Apron)
London’s Steven Julian, aka Funkineven dropped his sophomore album “Bloodline” in April on his Apron imprint, which pays tribute to his family roots. According to Julien, his drum programming (which is extremely impressive on this release) isn’t coming from himself, but from “a long line of ancestors, that includes rhythm from tribes in Africa and natives from the Caribbean.” “Bloodline” and “IDK” are my two favorite tracks on this one, and I also want to note that I really appreciate the imagery of this album, which showcases pictures of what appear to be a young Julien and his family. In reference to music, I recognize the importance and pride in paying homage to ones roots. #rolandtr808
6. Kai Alce- Back in this sh!t (NDATL)
Kai Alce’s NDATL records celebrated 10 years in 2018, and what better what to celebrate than with all the amazing music that debuted on the label this year. With releases from Andres, DJ Spinna, and Alce and himself, NDATL had a pretty successful year. “Back In this Sh!t” dropped in April 2018, and I had a nice time playing these tracks everywhere from Berlin, to NYC, to Atlanta. Posted Below, “Jam Tight” is described as a “Detroit flavored burner”, and I’d have to agree. My favorite memory of this track is when I dropped it at Paloma Bar in Berlin, and DJ Amir came running up to me like “damnnn, who is this!!?” I was obliged to let him know it was our friend Kai Alce. Cheers to another 10 years of one of my favorite labels, NDATL. #lifesgoodafterasession
7. Ladymonix- BC I Want To (Frizner Electric)
Next up we have the debut EP from Detroit’s Ladymonix, titled “BC I Want To”, on her Frizner Electric imprint, which she also debuted this year. Its great to see fellow women out here doing their thing, and Monica made some nice moves over the year, including starting a residency at Detroit’s beloved Motor City Wine. As soon as I heard these tracks I fell in love, and they all got major play in my sets throughout the year. “BC I want to” is “a deep and sensual body mover, anchored by empowering vocal samples that make no apologies”, and my favorite, “In Flight”, is “a soaring track that blends the energy of an evening into the power of the night.” Much love to Monica for being a continued force of the scene, and I look forward to seeing what she and Frizner Electric have in store for 2019! #bcshewantsto
8. K15- Be Glad You Create Anything (WotNot Music)
K15, a man known for deepness, dropped “Be Glad You Create Anything” on WotNot Music this year, and not surprisingly, sold out quickly. As Juno nicely puts it, “Be Glad You Create Anything”, is “a sparkling, mid-tempo shuffler that wraps darting, Kaidi Tatham style jazz-funk synth motifs around loose and languid beats and a suitably warm and attractive bassline.” “Communion”, my favorite track on the EP, was included in my June episode of “Underground and Black”, and was received with open arms. This is another person who has stayed consistent over the years, and I’m always looking forward to what next. #createanything
9. Kaidi Tatham- In my Life (2000 Black)
After releasing his incredible LP “Its A World Before You”, on First Word Records back in June, Kaidi Tatham returned to 2000black, with the EP “In my Life”. “Freddie Can’t Run Away”, is a nice fusion track, and showcases the true creativity of his artistry. “But You Bring It Up” is a warm jazzy track that features vocals from Nadine Charles . The EP covers everything from jazz, to boogie, to funk and was definitely a necessary purchase this year! #inmylife
10. Wbeeza- The OD EP (Troy Town)
I’ve been a big fan of Wbeeza’s for a while now, and was so excited to learn he was dropping a new record after a 3 year hiatus. He is revered as a 1st generation pioneer of what has become affectionately known as the “Peckham Sound”. The 3 track EP features a mix of sounds from Techno, to Deep House, to Bounce. My favorite of the 3, “Bizzle Boogie”, is a “equal parts gritty, Midwest-influenced bounce track.” I included this track in my Truants mix, and it got more than a few ID request’s! #southlondon
Support black music, black people, and never forget the roots of this gift to all of us- post the David Guetta article, you see how easy it is for history to be misconstrued.
Fall is officially here and its time to grind. I’ve spent the past few months promoting and staying busy, but as of late have had an extreme drive to get back into whats really important to me, the music- not the hype. Being actively involved in social media for years of ones life can often be extremely distracting, and not to mention stressful. I know we’ve all been there; scrolling social media aimlessly, feeling sorry for ourselves while seeing other people “living their best lives” and what not. It can all be quite overwhelming at times, and its totally okay to take a few steps back to focus on your damn self for a while. I honestly don’t know how healthy it could be to know peoples every move, gig, setback, or milestone anyway. I suppose its all about finding a healthy balance, which goes for many things in life. Sometimes I get frustrated about the state of things in regards to music, yet can only appreciate the frustration as it often makes me want to work harder and smarter. Whats also important to me is this here blog, and what will come of it as time progresses. I want to feature and celebrate all the amazing black people contributing to the culture, and I will try my best to do that here, and though my NTS radio slot.
I’ve gotten a few emails and requests for some of the tracks on my Truants mix, so I decided to drop the track list here. I really appreciate everyone who has taken the time to listen or reach out to me personally to tell me they enjoyed it. This mix includes music from some very close to me, some I hold in very high regard, and some who stay inspiring me musically. I never intentionally plan to record a mix that features about 90% black artists, but as I mentioned in the interview, black music is what resonates most with my soul, and I think its important that this music be embraced and played as much as possible. Please do not tell me its not about race, because many will never experience the joy and freedom that I feel as a black woman playing black music that was born in exact same city as myself. Playing black music in a country that doesn’t want me here, yet and still doing it with a smile. Knowing all of that, and being able to play this music freely not only in America, but across the world is a phenomenon that I will forever recognize. Black people, and black culture has had a profound influence on the world, and frankly, the world would be stale without it. Support black music, black people, and never forget the roots of this gift to all of us- post the David Guetta article, you see how easy it is for history to be misconstrued.
Cromie- Informal Path (Stefan Ringer Remix)
Atjazz- Facet of Jazz
Karizma- Tech This Out
Byron The Aquarius- Nights in Jakarta
Javonntte- Sweet Midnight Dub
Patrice Scott- Movin It
King Britt, Oba Funke- Uzoamaka (Nuno Dos Santos Bonus Beats)
Submission- Women Beat Their Men (Celvin’s Peak Hour Dub)
The music I play is a reflection of my soul, and I hope you feel me when you hear it.
Hey there, its me! The girl who deleted her last post because she wasn’t content with the way it turned out. Um yeah- Although well written, I realize it was “just one of those days”, and that maybe I shouldn’t put that type of energy out there. Rewind to that day, which was about a week ago, and I was feeling extremely insecure and uncertain of the future. That is still true in some aspects, as we all have our insecurities and uncertainties in life, yet here I am today with a much better outlook on things. I went from being jobless with only one gig booked for the entire month of October, to getting two job offers and 4 gig opportunities all in less than a weeks time. It actually made me feel quite stupid as I was freaking out over what ended up to be nothing but overthinking and overanalyzing. What that situation taught me though, is to simply have patience, because you never know what the future has in store.
I also deleted my last post because I didn’t want to seem entitled, or ungrateful. I know there are tons of people who would kill to do some of the things I’ve had the opportunities to do in regards to music and DJing. I do think the difference between me and a lot of folks though, is that I made a conscious decision to not simply choose the DJ path as a novelty, but as a career. I’m still figuring that part of my life out, and even though I’m starting a new day job next week, my ultimate goal is to still be a full time DJ touring the world. I don’t think those aspirations are illegitimate, but I think a lot of people are fearful of even attempting to pursue that path. I’m saying all of this to say that this is the reason why I’m so hard on myself about gigs and what not, because I want to do this full time. You know, like the new catch phrase “booked and busy”, thats what I’m trying to be! That being said, I decided to move forward with the day job mainly for financial reasons, oh and then theres the health benefits and all.
This new chapter is going to be an interesting one, but I’m up for the challenge. I still have my weekends to myself, so I at least will still be able to do stateside stuff when opportunities arise. One of the main aspects of life that I’m starting to respect more is simply putting in work to get to where you want to be, no matter what it takes. Sure I may not be able to sleep in anymore, or take extended vacations, but trust me, when its all said and done I’ll get that back. I had a nice 7 month break of traveling and basically doing whatever the hell I want, so now its time to get back disciplined. To be honest, I’ve never really been the hardest worker, and I’m still learning how to be. On the contrary, I’m all about enjoying life and taking time for family, friends, and travel, so don’t worry- I’ll never lose sight of that, as its who I am as a person.
Speaking of hard work, I’d like to mention my recent Truants Mix that dropped yesterday. I recorded 3 versions of it, and absolutely loved the 3rd one, minus a little slip up during a transition, and one track that I simply wasn’t feeling, so I recorded it one more time hoping for perfection. I can’t say perfection was the outcome, but I can say that I am in love with the mix, and worked hard on it. I’m proud of the outcome, and have been following the Truants Blog for a couple years now after I obsessed over Mr. G.’s Truancy Volume from 2016. As some of you know, I got really anti guest mix for a while, but not for a second was I going to turn down this opportunity. Something I strongly believe in is quality over quantity-so whether than do 20 regular ass guest mixes, I rather do 3 quality and meaningful mixes. I played the music I love, and I hope I got my point across. What’s cool about DJing is that its an opportunity to show the world just how unique you are. The music I play is a reflection of my soul, and I hope you feel me when you hear it.
Moving into my second year as a DJ, I don’t think I could ask for more. Trust me, I’m not rich, and I haven’t all the way “made it”, but I’m on my way. My experiences in Europe were incredible, and I will never forget a second of it. From playing with Josey Rebelle and Peggy Gou at Dimensions Festival, to being on the guest list at Berghain, to playing after Fred P. at Tresor- it was all magical! The weekend before last in NYC and DC was also amazing. The DC gig was posh, and gave me a taste of what this life could really be like. Car service, dope hotel, quality food and drink (which was all free btw), I mean damn, it was so cool! And not to take away from NYC at Le Bain with Stefan, bc we had so much fun. The summer was filled with so many memories, so many lovely people, and so many positive experiences that have left me forever changed- playing the music that I love is something I deeply cherish.
I’m sure this post isn’t as compelling as the one I deleted was, but these words feel much better. Theres nothing wrong with being transparent, or “keeping it real”, but this post is real too, perhaps even realer, because I am actually happy in many aspects. I have a lot to be grateful for, as do many of you, so thats what I’m choosing to focus on right now. As humans, we all have those days when we are down, and thats okay, but when you’re down, take some time to think about all the things we have to smile about, because best believe theres someone out there who’s got it way worse than you.
In closing I just want to say thank you again for all the love and support! As a black woman trying to navigate in a world that often doesn’t want to see us win, I’m making my mark on this earth and that wouldn’t be possible without so many of you! To the readers, listeners, believers, dancers, and supporters, I appreciate you!!!!!
There’s a lot of expansion that I’d like to happen with Underground and Black, and although it hasn’t happened as quickly as I’d like, I still have a dream and a vision.
Feeling like I don’t really know where to begin, but its grey outside and raining like hell which is pretty fitting for today’s mood. I’m not sure what it is, but as busy as I’ve been w/gigs this past month I still sit here feeling somewhat stagnant, one reason being that I haven’t been updating the blog as much as I’d like to. Things are happening, and I have things to look forward to, but I’m still frustrated. Not looking for sympathy, just stating the real because I think from the outside looking in things can often appear to be different. As much as I love this blog, I sometimes find myself wondering if I even want share so much. I know that there are people out there who enjoy it though, and even some who find it inspiring, so I’m going to keep pushing. It can be confusing sometimes-trying to figure out how to gauge all the projects and ideas I have inside.
July was a busy month and I got the opportunity to play some great events and meet lots of lovely people. Of course one event that sticks out was this past weekend in San Diego with Rick Wilhite for the Bouquet series, an outdoor event on the pier with the San Diego bay as the backdrop- it was an absolutely gorgeous view and day. During my set I truly felt in sync with the environment and people around me. It was my second time playing with Rick, who is an inspiration, and friend of mine for some years now. I still have tons of mix CD’s he used to give me when I’d come back home to the D to visit. As I’ve mentioned in the past, moments and opportunities like this bring things full circle in so many ways. I was a bit anxious in the beginning- I mean Keith Worthy, Patrice Scott among others were all in attendance. They are my friends, and I know they aren’t judging me by any means, but I still feel that fire within me to perform well in front of people that I look up to. The set in my opinion went perfect, and I was over whelmed by the response after- everyone said they loved it, and that made me feel so great. Being able to connect with people through music is a beautiful experience, and most definitely a joy in my life.
I got to play several shows in Atlanta last month as well, which was cool because I was starting to feel like one of those DJ’s who gets booked everywhere but in their hometown…lol. Which is definitely “a thing” in the DJ world. My only complaint about these hometown gigs though is getting paid about 80% less for my services. Budgets in Atlanta are pretty small and I understand that, so I sometimes still take these gigs because I love what I do, and most of the time it doesn’t feel like work. It is a crazy contrast though- to go from being this important headliner getting free flights and meals, to just a regular bloke getting paid the bare minimum I think a DJ should get. In the end, I suppose all the gigs balance each other out, and more than anything I’d like to keep touring. Not just for the money, but because it really is fun and rewarding. On the contrary, it can also be tiring and not as fun as you expected-but thats all apart of the game of course.
I’m not sure why I’ve been self loathing so much lately, but I guess its simply because I’d like to be more productive than I am currently. It’s been hard to be productive though because sometimes I just don’t feel motivated, or sometimes I’m simply distracted. Distracted by things that don’t deserve to be distractions. It’s so easy to get caught up with bullshit these days, and I’m really just trying to stay focused. Honestly, I can’t say I’m trying my best though, which is why when I woke up this morning I made the commitment to finish this blog post or die (lol…kidding.) Completing tasks makes me feel good, and is a reminder that I can do whatever I want to do as long as I take the time and effort to actually do it…and so can you. There’s a lot of expansion that I’d like to happen with Underground and Black, and although it hasn’t happened as quickly as I’d like, I still have a dream and a vision. Life in this day and age is far from easy, and I commend everyone just doing whatever they can do to stay happy and afloat. I don’t have all the answers, but just keep working towards whatever it is you want to do/be in this life. Even on days when you feel discouraged, just keep grinding.
I’m off to NYC then Europe at the end of the month. August 24 I’ll be playing at Nowadays with Olive T. and Turtle Bugg which I am really looking forward to. Ya’ll know I’m all about the preservation of black people in dance music, and this event will be just that. From there I’ll return to beloved Berlin for two weeks that will include some soon to be announced gigs. I’m not sure what the future has in store for post Berlin and as fall creeps in, but I just hope to stay busy. I’d also like to stay growing-which I know is inevitable.
I promise to check back in soon, and stay tuned for the first Underground and Black podcast coming before month’s end.
There’s room for all of us to create our paths the way we see fit, and I’m done trying to fit a mold, because I can only be me, and I like who I am.
I’m going to be quite honest and admit that I’ve been self loathing these past couple months over not updating the blog, and although Underground Black has been alive through my radio show, DJ sets, and interviews, it all began with this blog, and it is something that I believe in, and am proud of. I’m not sure if some of you know, or if I’ve mentioned it before, but I grew up aspiring to be a writer/journalist. I went through countless journals in my teenage years, wrote for the school newspaper, and even had a few pieces published in the Michigan Chronicle- the black owned and operated newspaper in Detroit where my grandmother, Marie Teasley, spent many years as the Woman’s Editor. As with anything, inspiration doesn’t always spark when we want it to, and there are times when I find it difficult to write. However, here we are today, and I’m back in Atlanta pondering my next move.
Today feels reminiscent of post Movement last year, being that all the gigs are behind me (for now), and its time to return to reality. I’m still not working a day job, and although it seems as if I’ve been “gigging” like crazy, it’s still not enough to cover all the expenses of a grown ass woman. I get paid significantly more for certain gigs compared to some of my others, and can say that I’m flexible in the sense of my willingness to work with friends or venues that may not have the budget that some of these larger clubs and organizations do. Don’t get it twisted though- I know my worth, and will not allow someone to short change me when I know they are working with a real budget. Overall though, I love music, and it still blows my mind to be getting paid for something that often doesn’t feel like work. I finally understand the joy of doing something you love as a profession. I’ve been pretty much miserable at many of previous jobs, and I feel so happy to be able to do something as cool and fullfillng as DJing.
Detroit was incredible, and went to by so quick that it’s actually quite scary-time flies when you’re having fun. I spent a week in town, and the connections I made have left me filled with so much inspiration and hope for my future. For the first time ever, I drove all Movement weekend, (Dad let me borrow the car lol) which kept me a lot more grounded than usual. I also had 4 gigs to play while I was there, so to say the trip was “busy” would be an understatement. As the weekend approached, I made up my mind that I was going to pick my top few parties that I wanted to attend, and pretty much spend my nights there whether than party hop every night.
Some of my favorite events I attended during Movement 2018:
Music Gallery @ Artist Village Detroit
Sound Signature’s Music Gallery event took place at The Artist Village in the heart of Old Redford in Detroit, and serves as a hub for creatives throughout Detroit. The party definitely had the DIY vibes going, and its clear that Music Gallery is one of the few events that brings the old school and the new school together. Its a night of education, and leave it to Theo Parrish to have his event 20 minutes away from all of the over Movement festivities…I don’t think many others could get away with that…lol. And in true black, Detroit fashion, Aunties, Cousins, and even Granny’s were in attendance-socializing, assisting with, and working the event. As my friends and I pulled up, some hood looking dude with no shirt on directed us into our parking spot, and escorted us to the door. I’m not sure if he was actually working the event, or was just excited to see all these hip folks going to some live ass party right there on his block. Lol. His friends stood there in amazement saying hello to all the ladies that walked by. Once we’re inside I’m buzzing with excitement as I randomly make eye contact with Moodymann and he tells me he “likes my hair” (I was rocking some freshly done box braids). Feeling flirtatious, I respond to him “I like YOUR hair”…he smiled. Only in Detroit, I think to myself…Ha. The music was great, and Theo banged out record after record, some even popping and crackling, making the experience feel that much more authentic.
Deep Detroit @ Red Door Digital
This was my 7th (or maybe 8th) Deep Detroit attended, and without question, I have never seen this party as crowded as it was this year. As the days of the Music Institute location have come to an end, this year Deep Detroit found a warm and cozy home at Red Door Digital on Oakland Ave, not far from The Tangent Gallery. Derrick May was this year’s special guest, and as always, Kai had the sounds banging- they could be heard from blocks away. This was a night I wished I would have had some ear plugs handy, but damn did it sound good. Movement 2018 was all about the indoor/outdoor vibes, and at one point I swear there must have been at least 200 people between the two spaces. Hood niggas in “Linwood” t-shirts, hipsters, momma’s, DJ’s, tourists from Europe, and lots of other random folks were there- all who seemed to be loving the music. Derrick smashed it, and even took some time to kick it with sis and I in the booth after his set. In my head I’m like “Wow, I really know Derrick May”…lmao. As he does each year for Deep Detroit, Kai dropped his “Special Edition” release, which celebrated 10 years with a double pack featuring music from Omar S., Stefan Ringer, and Kyle Hall, to name a few. Oh, and if you stuck around long enough, you were there for the treat that was an impromptu DJ set from Mike Huckaby at the very end.
Excursions @ The Baltimore Gallery
By the night Excursions rolled around I started to realize that depending on your musical style, you’re more than likely to run into the same people at each event you attend. If you’re on the black, deep, soulful, Detroit-centric sounds such as myself, I’m sure I ran into you more than once. As I’m sitting on patio at Excursions observing, I see Theo Parrish, Marcellus Pittman, Hieroglyphic Being, and more all mingling amongst the crowd. Don’t get me wrong, I’m no dance music groupie, but its super cool to see some of your hero’s in person casually kicking it at the function. The dance floor had to have been at least 100 degrees- which pretty much matched the weather in Detroit the entire weekend. No one was complaining though, I tell you that much. This was probably the hottest Movement weekend in history, and everyone was eating it up. Anything beats the cold IMO. It was cool seeing Hieroglyphic Being do a DJ set, and I still don’t know what format he was using, but I’m sure most of the tracks were original, and he had the room banging. Marcellus Pittman followed with some insane EQing, and dropping classic’s like a personal favorite of mine “Lovelee Dae” by Blaze.
I’m not sure how the hell we pulled it off, but we stayed at Excursions until 6am, then were back on the streets at 8am to catch Jay Daniel and Kyle Hall’s set at the All Day/All Night party at El Club. Although I was damn near dead when it was over, it was worth it, and they played my favorite set of the entire weekend. The crowd was minimal at certain points, but I could tell that the ones that were there were in it for the long haul. I also spotted many other young Black DJ’s at the event, who seemed to be there for the exact same reasons I was. It is always somewhat of an educational experience (for me) going to see other people of color that I look up to perform. As my sister and I sat outside on the patio of El club baking at one point, a random guy tells my sister and I that we look cute as hell. Ha, how sweet, because we were running on fumes, and its always refreshing getting compliments and smiles from random strangers at the party. I’m sure about 70% of us were running on little or no sleep by this point in the weekend. LOL.
The day flew by, and still running on no sleep it was time for me to play the Haute to Death pool party at Common Pub in Midtown. Now I knew this was a pool party and all, so I’m thinking chill poolside tunes with an intimate crowd. Boy was I wrong. As we approached the event all I hear is 140 BPM Ghettotech blasting from behind the fence. I’m thinking WTH? As we squeeze our way in and get a glimpse of the pool, I swear my heart dropped…it was packed AF. This was the exact same feeling I felt last year when I opened the curtains to the dance floor at El Club before my set that was right after Omar freaking S. Although DJing is fun, I always feel some initial pressure and anxiety when performing for a large crowd- especially when the person before me is absolutely killing it. I work well under pressure though, and I made sure I got myself together mentally before my set. In my personal opinion, I delivered, and in the most humble way possible, I’m often approached by an overwhelming amount of people after my sets telling me how much they enjoyed it. Trust me, it doesn’t go to my head, but YES, it feels DAMN GOOD. I walked out of there smiling, proving to myself yet again, that I can do anything I put my mind to. Thanks very much to Ash Nowak and Haute to Death for inviting me out. Detroit, please check our their events if you haven’t done so yet…they are without a doubt, all the way live!
Last year I left Movement feeling proud yet frustrated on many levels, and this year, although still frustrated in certain aspects of my life, when it comes to DJing, today I can honestly say that I feel mostly love and inspiration. I can’t begin to count the number of people I got to connect with “in real life” opposed to cyber space, and it’s also crazy simply realizing that people really do know who I am-I swear I am no where used to it. Every time I hear “Hey, are you Ash Lauryn?” I’m like damn, this is nuts! I appreciate it though, and it feels good to be recognized. I’ve made my goals and mission in this music clear to the best of my ability, and I’m glad that it hasn’t been in vain. I’m not sure if I’ll ever be some musical guru, producer, or record label boss, but I’m creating my own path thats fits exactly what I want to do. I want to contribute through this blog, playing my friends music, playing Detroit music, discussing representation of black people in dance music, throwing parties, giving other people opportunities to shine, and of course, doing my monthly show on NTS. I used to feel pressure when approached about production, but who says you have to do what every one else does? There’s room for all of us to create our paths the way we see fit, and I’m done trying to fit a mold, because I can only be me, and I like who I am.
I know that there still are some folks out there who can’t stand to see me shine, or think I don’t deserve so much, so soon, but its a fact that when you’re doing something great there will always be those people who “feel a type of way” about it. Worrying about other peoples judgements will only hold you back though, so I’ve learned to just keep doing me, and do what I love do- which is play quality music. I know I’m still only ankle deep in the industry, but simply having people like Delano Smith giving me an enormous hug and telling me how proud he is of me makes me feel like I’m doing something right. These are full circle type moments for me. It’s not easy getting respect from cats out of Detroit, but I can humbly say that I know most of my hero’s personally, and they all respect me and want to see me be great. Its not always easy as a new comer, especially as a woman, to get that respect, and I’m honored to get it. I know I’m not the best there ever was, but I’m making a name for myself…how can anyone hate on that? Even when Chez Damier remembered me in Detroit from our gig in NYC last month felt so rewarding. He met my sister, and remembered my story about her exposing me to the music, it was really cool. Let it be known, I’m not just some “cute girl from Detroit”; I am a woman with a mission and a passion. I also happen to know how to rock a crowd, and I don’t care if someone believes that or not…there’s a reason why I keep getting booked, and for the assholes that think its because I’m “pretty” , try again. I’m no Paris Hilton, and I’ve been listening to dance music out of Detroit before some of you even knew what it was, so don’t even think about trying me.
Sorry, that’s the Detroit coming out. 🙂
Highlights:
Teaching the CDJ workshop at the Discwoman X Boiler Room event was most definitely a highlight, and everyone got a kick out the “How To DJ Right” book I brought as a reference. I actually received it from a friend when I decided I wanted to take DJing more seriously. It has helped me a lot, and I’d like to pass it down to another DJ in training at some point…its important that we share the knowledge. Going into it I was very anxious about teaching something that I feel, I too, am still proactively learning, but I survived, and even managed to teach one of the over zealous students a thing or two, although it wasn’t easy…lol. Teaching takes some real patience. My set went well also, and I was very eager to get the people moving. That’s one of my favorite aspects of DJing…getting the crowd moving- aka dancing. I’m a high energy dance floor type, and that typically translates into my sets. A friend from Atlanta surprisingly showed up, and was right there in the front my entire set, and as a DJ its always so lovely to see your peers out there supporting you. When I finished my set Frankie from Discwoman gave me a shout out on the mic that was followed by a very large round of applause for my set- I stood there blushing and in shock, filled with an equal amount excitement and embarrassment from the attention. It felt damn good honestly. If you were there, thanks for dancing…I only had an hour, and I tried my best to showcase my love for music in that period of time.
Another highlight was Rick Wilhite, Kyle Hall, Delano Smith, Earl McKinney, Bruce Bailey and Al Ester all just happening to be in attendance during my set at Mix on the Thursday before Movement weekend. I really wasn’t expecting that! This was a great opportunity for me to “prove myself”, and I had both Delano and Al dancing. Thank you Jesus, I’m thinking. This was definitely a Detroit centric event, and I honestly don’t understand how people come to Detroit, rant and rave about it, yet fail to attend any of the real Detroit events-especially the ones put on by people of color. Of course there are other good parties to go to, and no offense to anyone else, but I don’t go to Detroit to see DJ’s from other cities. I go to Detroit to see the people who came up in this city, the people who created this music, the people who paved the way and still shape our sound today…that’s just me though, I guess.
Last but now least, my Mom basically planning a Family Reunion during my set at Takoi. My Mom is infamous for this type of stuff, yet I swear I had no idea to what extent she would go this time. I am not exaggerating when I tell you there were at least 20 of us there. We took a huge group photo when I finished, and it honestly ended up being way more cool than embarrassing. The way I see it, if there’s family members in attendance you’re at a real Detroit event. I realize that no matter how old we grow, our parents and families will always want to support us, and in the end, music is family. I’ve been seeing Kai Alce’s parents at his Deep Detroit event ever since I started going, and this year was no different. I’m proud to be where I’m from, and its cool to teach my family about something born right there in our city. Oh, and to add, Takoi has really good food, a cute happy hour, and a legit music program ran by Ali Berger-I suggest you check it out if you haven’t done so yet!
Ash Lauryn and family after her set at Takoi in Detroit, Michigan.
As a black woman, I feel like what I bring to the table during my sets isn’t like anyone else, and I pride myself upon that. The black woman experience in various forms cannot be duplicated, and I say that in the most humble, yet truthful way possible. I do realize that there are people out there who may not like me as much as they used to-now that I’m making a name for myself as DJ. I suppose it bothers them to see me doing things they’d like to be doing themselves, and it’s kinda sad to realize that some folks will only like you when they feel as if they are above you. These are sometimes the exact folks that were encouraging you in the beginning, yet now that you’re flourishing their ego’s can’t handle it. Oh, and thats another thing that I don’t think is discussed enough in the DJ world, “The Ego”. I’ve witnessed, experienced, and read a lot of egotistical behaviors via DJ’s in my short time of doing this, and it honestly just makes me look at them different. What happened to being proud of our peers? I don’t know the answer, but what I will say is that I’m not one to kiss ass, so trust me, if you don’t fu*k with me, I don’t fu*k with you. As I’ve mentioned in the past, I have more than enough supportive people on my team, and we will continue to build each other up, while some will remain dormant and bitter talking shit on the internet. The choice is yours.
I know it seems as if I have so much going on, which is true in a sense, yet I’m still struggling with the day job aspect of my life. I know I need one, yet I honestly don’t want one, and I’ve been loving the time I’ve had to myself doing even the simplest things like going to the pool, or riding my bike on a Wednesday afternoon. Life has been so fun traveling to different cities, connecting with people involved in dance music, DJing gigs with my best friends. Its almost all too good to be true. Last Tuesday was my Birthday, and my Birthday has always fallen on Movement Weekend. That’s another thing that makes is so special, I mean, I can’t think of any other way I’d like to spend my Birthday for the rest of my life, tbh. Perhaps that sounds crazy lol, but this is my life, and this is what brings me joy. This music is so important to me, so relevant, so therapeutic, and so much bigger than all of us. As I rode in the Uber to JFK and the sun was coming up this past weekend, I swear I shed a tear because the moment was just so beautiful. I feel so lucky to be able to do what I’m doing right now, and the love and support from many of you has been overwhelmingly touching. I promise to never take it for granted, and I promise to always do my best. I also promise to keep black people and black culture alive through this amazing music that we have created.
I’m working as my own agent for US bookings, and one day I’d love to start my own booking agency through Underground and Black, representing the next generation of POC’s in Dance Music. I also am thinking about putting together my own U&B event for Movement next year, so be on the lookout for that. I have so many ideas right now, and I’m so inspired for the future! If you are reading this, I want you to be inspired too. Go for your dreams at any means necessary, and don’t give up. There’s room for all of us to shine.
I finished the whirlwind of these past two weeks DJing a b2b set with Stefan in Chattanooga, Tennessee, and what a memorable way to end it. There’s something special about having a matching energy that translates through the music when two people play together, and I must admit that we were completely in the sync that night. I didn’t think Tennessee folks could dance that hard, but I was impressed, and they stuck wish us from start to finish. Prior to that was the NYC gig at Elsewhere which also was great, and a huge achievement for me personally- headlining one of the best clubs in NYC right now was so awesome.
In closing, let me just say that yes, Dance Music has changed in many ways over the years- but what has not changed is the community foundation that this culture was built upon, and being of apart of this community has brought eternal joy to my life. Its so much deeper than being “cool” and listening to “Techno”, its about love, its about family, its about respect, its about acceptance, freedom…Please don’t forget that, and stay true to yourself at all costs, theres only one you, remember that. 🙂
My first introductions to this music had nothing to do with the artist, articles, or features, and was more so about a love for the music; how it sounded, how it made me feel…I want to get back to those roots.
Hello.
Remember me?
Its been a bit longer than I expected, and I hate to use “being busy” as an excuse for not getting things done, but things have definitely picked up quite a bit since the new year. I have a few things to talk about, and I hope to not make this all about me, but if it ends up being that way, I’ll try not to bore you.
So its about two months into 2018, and I suppose things are going well. One major thing that has happened recently is that I’m no longer working my 9-5 job; they fired me two months before I planned to leave…(lol) go figure. People’s typical reaction to someone losing their job/ getting fired is pity, but to be honest, I don’t need it. I walked out of there with my head high; equally nervous and excited for the next chapter in my life. What I’m most proud of is the fact that I didn’t let it break me. Its never fun losing a job, especially by termination, but I wasn’t going to let that place steal my joy. I couldn’t be upset about it or take it personal anyway, I wasn’t happy in the first place. Of course there were aspects of my job that were cool, but the mere routine of sitting at a desk for 8 hours a day, 5 days week, is simply not for me…I’ve had to learn that the hard way many times, and this time I’m not sure I’ll ever go back. Its perfect timing if you ask me…now I have more time to focus on MY dream.
(And more time to live my damn life for that matter…)
As some of you know, I’m heading to Berlin for a couple gigs next month, and am keeping my fingers crossed about a couple other pending shows in Europe while I’m there. Its all quite frightening though…I mean, I took it upon myself to plan this “tour”, if you will, and with representation or not, its not guaranteed that people will actually want to book you. The whole process is eye opening and humbling because it makes you realize that no matter how good/great you think you are, not everyone will agree with that. Not everyone wants to book a new comer, not everyone wants to book a woman, hell, not everyone wants to book a black woman. I’m attempting to keep my spirits high, and I remain grateful for all of the good things that have happened thus far. It is a constant battle though, because I want so much more. I do realize that some of the things I want often take years to accomplish, so patience and commitment is important in this industry…I’ve been realizing that more and more. Sometimes I have to sit back and think about what I’ve accomplished in only a year and a half of DJing professionally, and just congratulate myself, sometimes I need that boost. And hey, perhaps some of my success was luck/good timing, but I also know that I am a force….even when I get down on myself.
What’s been on my mind lately is that I want to spend less time “online”, and more time perfecting my craft and studying music. As of late, I feel as if dance music is being oversaturated with content, and its impossible for me to keep up… (not that I even try). Everyone’s got a mix coming out, everybody’s got an interview coming out, everybody’s got a radio show coming out, shit…EVEN ME…I have all those things coming out too, so I get it…but sometimes I just wanna be in my own world to focus on the music itself and not be distracted by the overload of PR and shit being put on the internet that involves this music or the scene. My first introductions to this music had nothing to do with the artist, articles, and features, and was more so about a love for the music…how it sounded, how it made me feel…I want to get back to those roots.
Another thing thats been on my mind lately is the whole “guest mix” trend. If I told you how many guest mixes I’ve had to turn down the past couple months you may not believe me. (And if you asked me for one and are reading this, this is not directed towards anyone directly, so please don’t take offense)…Where I’m at with it right now is that I rather have someone book me than request a guest mix. I’ve done so many of them that I’m beginning to bore myself. I get that releasing mixes can sometimes help with bookings, but what I don’t want is to be the girl putting out mixes for any/everybody…I’d like a keep a little mystery about myself, ya know…like do that shit in waves. Why do you think people like Moodymann and UR are so revered and respected…? Because they don’t work just with any old person that inquires. (Btw, I know I ain’t Moodymann, but hell, a girl can take notes.) Its okay to not jump onto every single opportunity thats presented to you, just do what works for you, and don’t overwhelm yourself. There’s definitely never going to be a shortage of mixes in this day and age, so I figure I can focus on something else for a bit…(ie: This Blog) Oh, and if you do happen to be interested in booking me or requesting a mix, please do it because you truly enjoy the music I play, and like what I’m about. I am not a “trend” or a commodity and only want to work with other people who are truly supportive of the real roots and meaning of this music. That being said, I have a couple more previously committed to mixes to finish then will be taking a break to focus on my NTS radio show. I now have my own platform, and would like to spend more time pushing my own movement. I really want to be smart about the moves I make…this music stuff is business too, don’t forget that.
All in all, I feel good, and as I mentioned before, these next few months I’m ready to start taking my craft to the next level. I had a nice ride this first year being the new kid, but I’m starting to get “real” bookings now, and I want my shit to be all the way on point. I’ll never be that girl that was “all hype”, I’m going to be that one that blows your mind…no matter how long it takes me to get there. I don’t know about some of these other cats, but I’ve been dedicated to this music half my life. I’ve been studying this music before I realized I was even studying it, and it has put me in the position to do/create great things. I will forever be appreciative for all of the influence and inspiration that I received over the years of being a kid/teen in Detroit, all the way to being the girl in the front row of countless shows in Atlanta…it was all preparation for whats happening right now, and for what’s to come.
That’s it for now I think, and special shout out to all of the other Artist’s and DJ’s out there doing what they love and simply trying to make it. Its not easy out here, but it is possible with hard work and dedication (for some of us)…just keep doing you, keep shining…
The current state of dance music is often questioned, yet there is no denying that there is still quality music coming out.
As 2017 comes to close, I’d like to take a moment to reflect upon some the amazing music that came out this past year. The current state of dance music is often questioned, yet there is no denying that there is still quality music coming out. After compiling this list, I noticed that most included are long-time respected music veterans, (which was not on purpose, by any means). My musical taste is very much influenced by Black, American artists, and this list without question confirms that. Black music is equally present and relevant as it ever was, and one can only pray that it will continue to stay that way. As a music lover, and as a DJ, I recognize the importance of embracing new talent and exploring unknown territories musically, yet could never deny the fact that my true love of this music was formed by some of the pioneering individuals on this very list. I was not surprised to see the major publications “Best of 2017” lists barely including any people of color, so I decided to take matters into my own hands. The majority of the music on this list I have purchased, played out at gigs, and hold in very high regard…
So, without further ado, here’s Underground and Black’s Best of 2017 list:
Waajeed- Shango EP // In the past I had typically associated most of Waajeed’s productions with Hip-Hop, yet was presently surprised to learn that Waajeed, was indeed creating what I affectionately like to call “intelligent dance music”. That beautiful place where, funk, soul, jazz, hip-hop, house, and techno meet. I can’t recall not one time that I dropped “Better Late Than Never”, or “Winston’s Midnight Disco” without someone running up to the booth to inquire. In addition to the EP, he also released an awesome music video for the Shango track….What up doe Waajeed!
2. DJ Aakmael- Tales of the Deep EP //
If your anything like me, when you think of “Aakmael”, you think “Deep”. Deep indeed is the one they call DJ Aakmael, and no one does deep quite like him. Tired of me saying deep yet? LOL. “Tales of the Deep” EP dropped on Axe on Wax in April, and would probably have to be some of my favorite work produced by an artist, who in my opinion, deserves a lot more recognition. The somewhat reflective piano sample on “Kosmic Bounce”, is almost hypnotic, and will leave you filled with emotion. Its a track you could cry to, reflect to, or dance to…I love how music is versatile in that respect. Same thing goes for the track titled “Deep Side”, while “Moodcapacity” asks a question that all DJ’s should be able to answer “YES” to….
“Do you have the ability to create a mood”?????
3. Patrice Scott- The Detroit Upright //
“The Detroit Upright” without question was one of my favourite tracks to come out this year. This particular track got me out of bed on many days when I didn’t think I’d last another day at my 9-5….there’s something about it that just feels good and inspiring. “Who We Are”, is also another beauty….I suggest you check out both of these tracks if haven’t done so yet! Really look forward to more great music from Patrice in 2018. #Detroit
4. Hanna- Bounce EP //
I was introduced to the track “No Fear” on Josey Rebelle’s Rinse FM show that I was featured on, which gives it that sentimental value every time I drop it. I play this track when I’m ready to get people moving, and it never seems to disappoint!
5. Norm Talley- Norm-A-Lize //
In 2017 Norm Talley dropped his debut album on Omar S’s FXHE label, and what I can say….14 tracks of solid heat! I’ve been watching Norm play since the Agave days back in the early 2000’s, and it’s great to see him still doing his thing after all this time. Make sure to cop this record if you haven’t done so yet!
6. Ron Trent Presents Prescription: Word, Sound & Power //
The infamous re-release of this record had a lot of people smiling, including myself. Below is Ron Trent’s previously unreleased “Black Magic Woman” feat. Harry Dennis…imagine how I feel playing this track….yeah.
7. Karizma- The Power EP //
Another historic reissue that I wanted to get my hands on! The reissue includes the bangin remix below by none other than Atjazz. I dropped this track in one of my recent mixes, and it got a great response when I played it out as well.
8. Dego, Kaidi- A so We Gwarn //
When it comes to Sound Signature we all know what to expect…intelligent music at its finest. Looking forward to playing some of these tracks on my NTS show, which I feel would be very fitting, being that some of these aren’t your typical club tunes. This is black, grown people music, and I’m grateful to share it.
9. Hanna- The Never End //
I was waiting like hell for this one to come out!!!! Hanna’s “The Never End” dropped on Steven Julian’s Apron Records this past summer, and I was so psyched to play my favorite track off the release “July” in July…lol. The other tracks are stunning as well, which I’m sure we all can expect from the one they call Hanna. Check this release if you haven’t done so yet, it feels good to support Black labels…Shout out Apron Records.
10. Loleatta Holloway (Louie Vega, Josh Milan, Yvonne Turner)- Can’t Let You Go //
Last but not least, the infamous “Can’t Let You Go” remixes by Louie Vega and Josh Milan. Every time I dropped this track people came running to the dance floor…there’s something about Loleatta’s voice that does that to you! I have a feeling this will be one of those tracks thats in circulation for a long, long time. If not mistaken, it was also nominated for a grammy, which it is more than deserving of, I’m glad to see real music still getting recognition.
And that’s it folks!!!! I hope you guys enjoyed the list, and my feeble attempt at music journalism (lol). 2017 was a great year in music, 2018 will be better, and hopefully blacker. 😉 Thanks to everyone who’s been following the blog, I truly appreciate each and every one of you. I’m looking forward to continue sharing in 2018….
Its been a while since our last guest mix, and I’m so excited to add another one to the collection by the one and only Olive T! She’s been putting in serious work on the NYC music scene for some years now, and is definitely an artist to watch in 2018. I became hip to Olive back in late 2016, when a mutual friend posted one of her mixes on Twitter. I remember listening, and thinking that we had very similar tastes, and honestly was just so excited to find out about another black woman involved in dance music. I sent her a message on FB hoping to not sound like too much of a groupie, and luckily she was very responsive and friendly. Long story short, we finally met when I had my NYC debut at Bossa Nova Civic club this past summer, and we have been supporting each other as black women and artists’s ever since! I really admire Olive for all of the hard work and dedication she has put in, and can’t wait to see what else she has in store for us in the years to come.
Olive was nice enough to answer a few interview questions in preparation for this mix, so before you get into the groove of these soulful, deep, jacking, dark, sounds, have a read below, and get to know the one they call “Olive T.” a little better…
1. Tell us a little about yourself and your influences:
My DJ name is Olive T, I’m from NY -I’m a DJ/Producer/Baker
I brought my first pair of turntables when I was 17 and started DJing professionally about 6 or 7 years ago. My influences are my parents, a few punk ideologies, abstraction in art, nature, sound & feelings.
2. What is your view of the current state of underground dance music?
I think underground dance music is at it’s best point I’ve ever seen it. A few years ago the only dance records I had easy access to were distributed by huge record labels’ sub labels. Now I see regular people creating small record runs and releasing music on bandcamp/internet. There’s a lot more options, diversity, and a further reach to fans imo.
3. In regards to NYC, how do you feel about Black representation in dance music?
This is a tough question, there’s certainly many talented black producers and DJs here that may not receive the same attention as their non black peers due to I suppose… having connects in the business or support networks in the scene, ownership of labels and venues, not having financial means to make music. The representation & exposure could be better. Also a lot of the poc youth here like dance music that may not appeal to the masses or have venues that understand -which makes parties a bit harder to throw.
4. What are you dreams, goals, aspirations for the future?
My dream would be to live a sustainable life, just from making art/music. My goal right now would be to put out a record/ep or two in 2018 or ’19.
As for future aspirations…i’m not sure, I try not to think too much about the future. I just set small plans and work toward them slowly heh. I would like to help more women of color learn production and to DJ out more/navigate the night life on the talent side.
5. Any upcoming gigs your looking forward to?
Right now i’m looking forward to tackling my New Years Day 4am set for the ravers still going. And I’m real excited to open for Kyle Hall and Jay Daniel at Good Room in Brooklyn, NY on January 14th. I’ve been a fan of their work for years. I haven’t seen a lineup of younger black DJs and producers headlining a club night ever. More of that in 2018 would be awesome.
Tracklist:
Amel Larrieux – Bravebird
A Tribe Called Quest – The Hop (B-Squit Edit)
AshTreJinkins – Skitz
Jad & The – Disco Dancefloor Tool
Larry Heard, Mr. White – Supernova
Nils Penner – Multa (Johnjon Remix)
K-Hand – Live
Lady Blacktronika – Unreleased
Anthony Shake Shakir – Pursuit Mix 2
Black Noi$e – Creepy Crawlers
Glenn Underground – Escuchame’ (Escuchame’)
Lucretio – The Way We Do
Freestyle Orchestra – Twi-Lite
Top Secret
Three Kings feat. Jaygun & Bashy – Shake Dat Booty (DSB Re-Edit)
Sudan Archives – Paid
Mr. G, Mike Grant – My Soul, My Spirit (Mr. G’s Freedom Train Mix)
Ikonika – Oral Suspension (Big Strick Remix)
Norm Talley – The Dream
The Oliverwho Factory – Basement Party
Posthuman – Preach ( feat. Josh Caffe)
Anthony Shake Shakir – Frictional Beat #6 (KMFH 808 DUB)
Friday, November 10th was a special night, and I’m still on high from Hanna’s performance. I was a little late getting hip to this talented man, but became instantly hooked once I got a taste. Like many other Black, Midwestern artist’s, Hanna brings sounds, soul, and feelings to life in a manner that can’t be duplicated. As I stood there in amazement watching him perform, I felt a sense of astonishment, happiness, and achievement. My vision of this night was playing out right before my very eyes, and I couldn’t have been more proud.
As of late, I’ve been becoming a fan of parties with smaller line-ups. Unless at a private venue, clubs in Atlanta close at 3am, and get started around 10 or 11pm. If you think about it, that’s really not that long of a time, and it takes some of us more than an hour of playing time to truly get into the zone. Putting that factor into account, the two person line-up works great between Stefan and I. I do also realize the importance of showcasing other artists, which is why we’ve been exploring the idea of booking other talent to play with us. I don’t quite recall how the idea came about, but I do remember brainstorming and Hanna almost immediately coming to mind.
If you don’t already know, Hanna’s a pretty low key guy. There isn’t too much press about him, and he’s merely impossible to find on social media outlets. As I searched through Facebook with little success, I came across a “Hanna aka Warren Harris” fan account page. I figured I’d try my luck and inquire about his booking information via the group. After a few hick-ups, someone finally responded with a legitimate email, and from there everything began. Karl, owner of The Sound Table teamed up with us on this booking, and was just as eager as I was to get things confirmed. After a couple weeks of negotiations everything was finally in place, and it was now merely a waiting game.
As the night approached I was very curious to see how a live set would go over at The Sound Table, being that its such a DJ oriented venue. Stefan and I played our usual b2b sets, and by midnight the energy in the room was pretty intense. The music was poppin, the crowd was energetic, and there were plenty of folks on the dance floor. As the energy rose and the BPM’s increased, I started to wonder if were going to a bit “too hard” in preparation for Hanna’s live set. I was again anxious about the crowd response, but it was now showtime. Hanna was set to play at 1AM, so around 12:45 I approached him like “you ready”? And he replied: “of course I’m ready”,( in the most reassuring voice ever). I escorted him to his table, got him a fresh “dark and stormy” (his drink of choice), and from there the magic began. I was able to give him a nice introduction, which was cool, being that doesn’t typically happen at the events I go to, or am booked for. I’ve always had a thing for public speaking and love an opportunity to get on the mic. Hanna also got on the mic after his performance, shouted out Stefan and I, and stressed the fact that he doesn’t agree to just any gig, and was honored to be in Atlanta. It felt damn good.
After the performance, it was back to the DJ’s sets, and I couldn’t wait to drop a few Hanna tracks in his honor. He very responsive when I did, and it was such an epic moment to have Hanna dapping me up about my set. It was one of my best sets to date, and my confidence was through the roof. The dynamic between Stefan and I can be pretty competitive at times, which sometimes makes it all the more fun. As a woman, I’m always here to show and prove that we are capable playing with the best of male talent. After experiences like playing after Omar S. Movement weekend in Detroit there’s not too much I feel like I can’t achieve with a little determination. If you don’t already know, I’ve been a student of this music for nearly half my life. I didn’t just wake up and decide to be a Techno DJ, I spent years of my life studying and being passionate about this music…the DJ thing simply felt like evolving.
Due to some personal issues, going into this installment of Expressions I had planned on it being the last one. I mean, why continue working with someone who you often cannot see eye to eye with? Stefan and I have been in each others lives for some years now, and as with many relationships, have our ups and downs. Trust me, its no surprise for us to be arguing back and forth over the stupidest shit behind the DJ booth, all the while still having to DJ together for the remainder of the night. lol. These things typically blow over, yet show the short comings that may arise when having to work with friends, (or people in general for that matter.) As the night came to a close we decided that Expressions is far too special of an event to cancel. I also realized that we should consider the people, the movement, and not merely ourselves. Expressions has built a nice following over the past few months, and isn’t quite like any other event that takes place in Atlanta; its young, its fresh, and the music without question, comes correct. With that being said, Expressions returns January 6th, 2018 and I can’t wait to keep rocking with all of the supporters! Thank you again for helping make this night so special.
Underground & Black 